Responsibilities

• Write scripts, concepts, and copy for broadcast promos, brand spots, player features, digital and social videos, sizzles, and internal marketing presentations.
• Develop creative approaches that reflect the heart of the Wheel of Fortune brand -celebration, energy, gameplay, contestants, hosts, and the iconic puzzle-solving experience.
• Craft clear, engaging narratives that elevate key storylines, themes, and franchise moments across all platforms.
• Collaborate closely with Integrated Marketing team to refine tone, messaging, and campaign ideas.
• Produce video assets from concept through final delivery—including pre-production planning, shoot support, field/stage coordination, editorial supervision, and finishing.
• Work closely with editors, motion designers, production management, and vendors to ensure projects remain on schedule, on budget, and on creative brief.
• Manage asset pulls and selects from episodic, archival, and shoot materials to streamline editorial workflows and maintain accuracy.
• Oversee versioning to support all broadcast, streaming, digital, social, partner, and affiliate needs.
• Lead editorial sessions by shaping selects, pacing, tone, and narrative direction with editors and graphics teams.
• Ensure every piece aligns with the Wheel of Fortune brand’s voice and creative standards - fun, celebratory, polished, and audience-friendly.

Requirements

• 6 years of experience writing and producing promo or marketing content for broadcast, streaming, digital, or social channels.
• Strong track record in promotional writing, trailer/spot creative, or entertainment marketing.
• Hands-on production experience, from planning and shoots to editorial and finishing.
• Exceptional writing skills with a sharp sense of brand tone, pacing, clarity, and audience appeal.
• Experience collaborating with cross-functional teams and managing multiple projects simultaneously.

Preferred

• Familiarity with the Wheel of Fortune franchise is a plus; enthusiasm for game shows, competition formats, or character-driven storytelling is strongly preferred.