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Marketing jobs

3 marketing jobs

Race Service

Race Service

Race Service

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Los Angeles, CA (On-site)

$65K/yr – $95K/yrMid Level3+ years expFull time

Posted 3 months ago

The other 99% submit and hope. You're about to do something different.

Drive end-to-end short-form content production for automotive culture across on-site shoots and in-post editing.

Own edits from rough cut to final delivery for Reels and TikTok on live events.
Must-have: 3–5 years shooting and editing across agency, production, or brand contexts with proven performance.
Standout: Hybrid skill set—shooting and editing at a high level with on-location speed.

Shoot and edit short-form content across social platforms — Reels, TikToks, and platform-native cuts that perform.
You understand the difference between content made for a brand deck and content made for an audience.
Cover events, activations, and on-location productions. You are on-site, you are moving, and you are bringing back footage that the team can use.
Own your edits end-to-end. Rough cut to final delivery. Color, sound, pacing, format. You don't need a producer to tell you when something isn't working.
Collaborate with the Creative and Account teams on campaign briefs. You translate direction into execution without losing your point of view in the process.
Maintain and organize your own assets. Project folders, file naming, export specs, delivery standards. You keep your house clean.
Stay sharp on platform trends, formats, and algorithm behavior. What worked six months ago might not work today. You know the difference and you adapt.
This role involves working outside standard hours, international travel, and working weekends and holidays.

3–5 years shooting and editing professionally — agency, production company, brand-side, or independent. Your work speaks for itself.
Fluent in short-form. You've made content that performed, not just content that looked good in a review. You understand hooks, pacing, and what makes someone stop scrolling.
A true hybrid. You shoot at a high level and you edit at a high level. This is not a role for someone who does one well and tolerates the other.
Proficient in Adobe Premiere.
Field-ready. Comfortable operating a camera in run-and-gun environments — events, live action, motorsport, on-location. You thrive when things are moving fast because that's when the best shots happen.
Organized and self-directed. You manage your own workflow, hit your deadlines, and communicate proactively when something shifts.

A genuine passion for automotive culture and motorsport. If you already follow the sport, understand the machines, and feel something when the grid lines up — you'll make better work here than anywhere else.
Motion graphics or basic animation skills. After Effects, CapCut, or DaVinci are a plus.
Experience with drone operation or specialized camera systems (gimbal, high-speed, etc.).

Health Benefits
401(k) plan
Generous company holiday and PTO Plan
Weekly Team Lunch
A proper espresso machine, a team that actually knows how to use it and genuine opinions about what goes in the cup.

Shoot and edit short-form content across social platforms — Reels, TikToks, and platform-native cuts that perform.
You understand the difference between content made for a brand deck and content made for an audience.
Cover events, activations, and on-location productions. You are on-site, you are moving, and you are bringing back footage that the team can use.
Own your edits end-to-end. Rough cut to final delivery. Color, sound, pacing, format. You don't need a producer to tell you when something isn't working.
Collaborate with the Creative and Account teams on campaign briefs. You translate direction into execution without losing your point of view in the process.
Maintain and organize your own assets. Project folders, file naming, export specs, delivery standards. You keep your house clean.
Stay sharp on platform trends, formats, and algorithm behavior. What worked six months ago might not work today. You know the difference and you adapt.
This role involves working outside standard hours, international travel, and working weekends and holidays.

3–5 years shooting and editing professionally — agency, production company, brand-side, or independent. Your work speaks for itself.
Fluent in short-form. You've made content that performed, not just content that looked good in a review. You understand hooks, pacing, and what makes someone stop scrolling.
A true hybrid. You shoot at a high level and you edit at a high level. This is not a role for someone who does one well and tolerates the other.
Proficient in Adobe Premiere.
Field-ready. Comfortable operating a camera in run-and-gun environments — events, live action, motorsport, on-location. You thrive when things are moving fast because that's when the best shots happen.
Organized and self-directed. You manage your own workflow, hit your deadlines, and communicate proactively when something shifts.

A genuine passion for automotive culture and motorsport. If you already follow the sport, understand the machines, and feel something when the grid lines up — you'll make better work here than anywhere else.
Motion graphics or basic animation skills. After Effects, CapCut, or DaVinci are a plus.
Experience with drone operation or specialized camera systems (gimbal, high-speed, etc.).

Health Benefits
401(k) plan
Generous company holiday and PTO Plan
Weekly Team Lunch
A proper espresso machine, a team that actually knows how to use it and genuine opinions about what goes in the cup.